These documentaries, directed by Gabriel Soria, were produced for the Sólo Tango TV station (now TangoCity) and released between 2000 and 2005. Approximately 55 episodes were made. The list below is very incomplete; I welcome any comments and corrections. I provide links to the episodes available online.
Between 1995 and 1998, the Argentine TV channel Volver screened a series of tango documentaries. The series was directed by Eduardo Berti, and includes valuable testimonies from many great musicians and vocalists, as well as commentary from journalists and collectors. As is often the case with things tango-related, there is very little information available about this production. The list that follows was reconstructed from references found in magazines, newspapers, and other reliable sources. I managed to obtain copies of most episodes, which I have since uploaded to my YouTube channel and which you can watch by clicking on the corresponding links below.
In this tanda, Canaro’s orchestra recedes into the background as Charlo takes center stage. His unfailing intonation, polished technique and superlative musicianship put him in a special place in the history of tango vocalists. It is a shame that his voice is less often heard at the milongas than that of many lesser talents. The last two numbers also display his remarkable skills as a composer.
The discographies of the tango orchestras are scattered all around the web. Below is my best attempt to make the relevant links all available in one place. When I found more than one discography for a given orchestra, I chose the one which seemed most complete and reliable. I plan to keep this post updated, so if you think I’m missing something, please let me know.
Update: See here for my current attempt to improve on these discographies. The links below will gradually link to my own discographies, as they become available.
When I started dancing and listening to tango music two years ago, I quickly discovered that one of the easiest ways to identify an orchestra was to pay attention to the final two chords of the song (the dominanc-tonic, characteristic “chan-chan” ending ). Each orchestra plays those chords in its own, distinctive way, so by learning how the chords sound like, one can infer the orchestra even of songs one is unfamiliar with. The video below, which I created a while ago for my own amusement, provides a sample of the tango endings of 20 of the most popular tango orchestras. I am now posting it here in case it is of interest to readers of this blog.