This is an experimental tanda, which I included in my recent DJ set for Twilight Milonga @ Studio 1924 (an excellent milonga in Oakland, CA). I absolutely love Charlo’s version of ‘El viejo vals’, and thought I might be able to play it if I managed to build a tanda around it. The goal was to find two other valses from the 1950s with a lead singer accompanied by guitars only. After a long search, I settled on Jorge Vidal’s ‘La vieja serenata’ and Alberto Marino’s ‘Un cielo para los dos’. Neither recording is quite up to the level of Charlo’s, but they are, I think, strong enough to be played together in the same tanda. I was somewhat nervous during the milonga because I didn’t know how the crowd would react to it. The dancers did seem a bit surprised at first, but after a few minutes they eased off, and when the final track was played, everyone liked it. Afterwards, a few people came over and told me that they had really enjoyed the tanda. So overall I think it was a success, and will probably play it again at some point in the future.
- La vieja serenata (Jorge Vidal with guitars (glosas by Antonio Anzano), 1951)
- Un cielo para los dos (Alberto Marino with guitars, 1955)
- El viejo vals (Charlo with guitars, 1955)