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Hey there, I’m Pablo. I’m the director of Tlön, a small org that translates content related to effective altruism, existential risk, and related topics into various languages. I am also a co-host of the podcast La bisagra de la historia and a member of the Samotsvety forecasting group. I used to write a newsletter together with Matthew van der Merwe.

I’ve been part of the effective altruism community since its inception and have collaborated with several EA orgs and people over the years. As Will MacAskill‘s research assistant, I was responsible for much of the background research for Doing Good Better.

Some of my other interests and hobbies include modern and classical languages, travel, tango dancing and DJing, minimalism, Borges, and wasting time on my Emacs configuration.

Feel free to get in touch. You can also find me on the Effective Altruism Forum, Metaculus and LessWrong, though I am no longer active on these platforms.

We live during the hinge of history. Given the scientific and technological discoveries of the last two centuries, the world has never changed as fast. We shall soon have even greater powers to transform, not only our surroundings, but ourselves and our successors. If we act wisely in the next few centuries, humanity will survive its most dangerous and decisive period. Our descendants could, if necessary, go elsewhere, spreading through this galaxy. In Nietzsche’s words, there has never been such a new dawn and clear horizon, and such an open sea.

Derek Parfit

My favorite performances: La bruja (D’Arienzo)

My choice for this week is ‘La bruja’ (Juan D’Arienzo with Alberto Echagüe, 1938). I reviewed 55 performances.

My favorite: Stefania Colina & Juan Martín Carrara.

I also liked the performances by Mary Ann & Oscar Casas, Paulina Cazabon & Carlitos Espinoza and Noelia Hurtado & Carlitos Espinoza.

My favorite performances: Ella es así (Donato)

My choice for this week is ‘Ella es así’ (Edgardo Donato with Horacio Lagos, 1938). I reviewed 66 performances.

My favorite: María Antonieta Tuozzo & Ezequiel Herrera.

I also liked the performances by Ariadna Naveira & Fernando Sánchez and Daniela Pucci & Luis Bianchi.

My favorite performances: Alas Rotas (Donato)

My choice for this week is ‘Alas rotas’ (Edgardo Donato with Horacio Lagos, 1938). I reviewed 14 performances.

My favorite: Giselle Anne & Gustavo Naveira.

I also liked the performances by Inés Muzzopappa & Federico Naveira and Virginia Pandolfi & Fabián Peralta.

My favorite performances: Pensalo bien (D’Arienzo)

My choice for this week is ‘Pensalo bien’ (Juan D’Arienzo with Alberto Echagüe, 1938). I reviewed 72 performances.

My favorite: Mariana Montes & Sebastián Arce.

I also liked the performance by Sofia Saborido & Carlitos Espinoza.

My favorite performances: Tormenta (Di Sarli)

My choice for this week is ‘Tormenta’ (Carlos Di Sarli with Mario Pomar, 1954). I reviewed 30 performances.

My favorite: Michelle & Murat Erdemsel.

I also liked the performance by Rebecca Smith & Eric Lindgren.