Category Archives: 4. Dancers

My favorite performances: Dichas que viví (Biagi)

My choice for this week is ‘Dichas que viví’ (Rodolfo Biagi with Andrés Falgás, 1939). I reviewed 68 performances.

My favorite: Luiza Pasierowska & Osky Casas.

I also liked the performance by Barbara Carpino & Claudio Forte.

My favorite performances: Los despojos (Caló)

My choice for this week is ‘Los despojos’ (Miguel Caló with Raúl Iriarte, 1947). I reviewed 14 performances.

My favorite: Roxana Suárez & Sebastián Achával.

I also liked the performances by Noelia Hurtado & Carlitos Espinoza and Ariadna Naveira & Fernando Sánchez.

My favorite performances: Trago amargo (D’Arienzo)

My choice for this week is ‘Trago amargo’ (Juan D’Arienzo with Alberto Echagüe, 1939). I reviewed 21 performances.

My favorite: Inés Muzzopappa & Federico Naveira.

I also liked the performance by Fatima Vitale & Maximiliano Cristiani.

My favorite performances: Mañana zarpa un barco (Di Sarli)

My choice for this week is ‘Mañana zarpa un barco’ (Carlos Di Sarli with Roberto Rufino, 1942). I reviewed 22 performances.

My favorite: Stefania Colina & Juan Martín Carrara.

I also liked the performance by Sandra Bernard & Loyd Vidal.

My favorite performances: Milonga, vieja milonga (D’Arienzo)

My choice for this week is ‘Milonga, vieja milonga’ (Juan D’Arienzo, 1937). I reviewed 70 performances.

My favorite: Marina Marques & Ozgur Demir.

I also liked the performances by Barbara Carpino & Claudio Forte, Amanda & Adrián Costa, Julia Gorina & Aníbal Montenegro, Michelle Marsidi & Joachim Dietiker and Evelina Sarantopoulou & Theodore Georgedakis.

My favorite performances: Te aconsejo que me olvides (Troilo)

My choice for this week is ‘Te aconsejo que me olvides’ (Aníbal Troilo with Francisco Fiorentino, 1941). I reviewed 49 performances.

My favorite: Barbara Carpino & Claudio Forte.

I also liked the performances by Moira Castellano & Gastón Torelli, Stefania Colina & Juan Martin Carrara, Noelia Hurtado & Carlitos Espinoza and Inés Muzzopappa & Federico Naveira.

My favorite performances: Temo (Orquesta Típica Victor)

My choice for this week is ‘Temo’ (Orquesta Típica Victor with Mario Pomar, 1940). I reviewed 38 performances.

My favorite: Noelia Hurtado & Carlitos Espinoza.

I also liked the performances by Cecilia Piccinni & Andrés Molina, Juana Sepulveda & Mariano Frumboli, Paula Tejeda & Lucas Carrizo.

My favorite performances: La capilla blanca (Di Sarli)

My choice for this week is ‘La capilla blanca’ (Carlos Di Sarli with Alberto Podestá, 1944). I reviewed 36 performances.

My favorite: Michelle & Murat Erdemsel and Roxana Suárez & Sebastián Achával (ex aequo).

I also liked the performance by Natacha Lockwood & Claudio Coppola.

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Hey there, I’m Pablo. I’m the director of Tlön, a small org that translates content related to effective altruism, existential risk, and related topics into various languages. I am also a co-host of the podcast La bisagra de la historia and a member of the Samotsvety forecasting group. I used to write a newsletter together with Matthew van der Merwe.

I’ve been part of the effective altruism community since its inception and have collaborated with several EA orgs and people over the years. As Will MacAskill‘s research assistant, I was responsible for much of the background research for Doing Good Better.

Some of my other interests and hobbies include modern and classical languages, travel, tango dancing and DJing, minimalism, Borges, and wasting time on my Emacs configuration.

Feel free to get in touch. You can also find me on the Effective Altruism Forum, Metaculus and LessWrong, though I am no longer active on these platforms.

We live during the hinge of history. Given the scientific and technological discoveries of the last two centuries, the world has never changed as fast. We shall soon have even greater powers to transform, not only our surroundings, but ourselves and our successors. If we act wisely in the next few centuries, humanity will survive its most dangerous and decisive period. Our descendants could, if necessary, go elsewhere, spreading through this galaxy. In Nietzsche’s words, there has never been such a new dawn and clear horizon, and such an open sea.

Derek Parfit