Category Archives: Roberto Rufino

My favorite tandas: Di Sarli – ‘Los muñequitos’

A while ago, my friend Alia—a superb dancer and DJ—left me the following message on Facebook: “Have you already composed a tanda with this beautiful tango?” The message included a link to Francisco Pracánico’s “Los muñequitos”, as recorded by Di Sarli’s orchestra. I found her question intriguing, since no less than two other friends of mine had recently written me about that same tango. Given the apparent interest in this overlooked gem, I thought I should take Alia’s implicit suggestion and build a tanda around it. But to have fun, I invited her to create a tanda as well, so that we could afterwards compare what each of us had come up with. She agreed, and a few hours later, we were ready to disclose our respective creations. What a surprise awaited us! Upon sharing the list of tangos with each other, we found out that we had chosen exactly the same songs! (The probability that something like this would happen by chance is extremely small. Even restricting the options to Di Sarli/Rufino recordings, the odds are in the order of 1 in 5,000!)

What follows is the list of songs arranged in the order that I believe suits them best (the original exercise involved listing the tangos in no particular order).

My favorite tandas: Di Sarli – ‘Volver a soñar’

Another moving Di Sarli tanda from the 1940s, although in a more subtle, intimate way than the one previously featured on this blog. ‘Cuando el amor muere’ is the only recording that Carlos Acuña made with Di Sarli’s orchestra, and is as such rarely played at milongas by DJs who adhere strictly–and, one may say, blindly–to traditional rules of tanda composition. I find this unfortunate and unwarranted, especially in a tango of such haunting beauty, given the similarities in both mood and sound to other Di Sarli/Rufino recordings with which it can be combined, as I do in this tanda.

Dedicated to A.R.

My favorite performances: La mulateada (Di Sarli)

My choice for this week is ‘La mulateada’ (Carlos Di Sarli, 1941). I reviewed 15 performances. (I was disappointed to see so many couples dancing to the Sexteto Milonguero version, which is of incomparably lower artistic quality.)

My favorite: Veronica Toumanova & Fausto Carpino.

My favorite performances: Mañana zarpa un barco (Di Sarli)

My choice for this week is ‘Mañana zarpa un barco’ (Carlos Di Sarli with Roberto Rufino, 1942). I reviewed 22 performances.

My favorite: Stefania Colina & Juan Martín Carrara.

I also liked the performance by Sandra Bernard & Loyd Vidal.