This is another rare tanda, comprising three great milongas by Julio de Caro (the first two composed by De Caro himself). My original plan was to play this set at El Metejón, a local BA milonga where I’ll be DJing tonight. However, a few days ago I announced on my Facebook wall that I’d play “Milonga de los fortines”, by Orquesta Típica Victor, and then realized I couldn’t really fit two milonga tandas from similar periods and orchestras on the same night. So I’ve decided to play a mixed tanda combining “Milonga de los fortines” with Lomuto’s “Qué tiempo aquel” and De Caro’s “No hay tierra como la mía”. I look forward to seeing how dancers react when I play the full De Caro tanda next time I’m DJing.
(With thanks to Alia, the multi-talented Syrian DJ.)